Table of Contents
Lecture 11
Readings
Prose rhythm,
Prose rhythm: Effect of Leech & Short’s Method
Extract from Mark Twain's Huckleberry Finn
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Importance of Grammatical Units
Importance of Words
Further considerations in spelling / orthography:
Graphology
Wider definition of orthography
Unconventional Spelling: Examples from Wuthering Heights (Chapter 20)
Another example fromWuthering Heights (from your textbook)
A word of caution:
POINT OF VIEW IN NARRATIVE FICTION:
Reading
Narrator & Author
Implied Author
Two Types of Narrators:
First-Person & Third-Person: Premodifying Noun
First-Person & Third-Person: Meaning of Premodifying Noun
1st Person Narrators
3rd Person Narrators
The ‘Objective’ Third-Person Narrator.
The Limited Third-Person Narrator.
The Omniscient Third-Person Narrator.
Extract from Mark Twain's Huckleberry Finn: 1st/3rd Person ?
Extract from Günther Grass' The Tin Drum : 1st/3rd Person ?
From Henry Fielding's Tom Jones : 1st/3rd Person ?
The Beginning of Henry James' Portrait of a Lady : 1st/3rd Person ?
Discourse Situation
The elements in a narrative which the author's story must go through, or is deflected by, before it reaches us:
Two examples of 1st Person Narratives
Extract from Mark Twain's Huckleberry Finn
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Extract from Günther Grass' The Tin Drum
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Two examples of 3st Person Narratives
From Henry Fielding's Tom Jones
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The Beginning of Henry James' Portrait of a Lady
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The beginning of Mrs Gaskell's Wives and Daughters
The beginning of Mrs Gaskell's Wives and Daughters
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End of Lecture
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Author: Dr Ismail S Talib
Email: ellibst@leonis.nus.edu.sg
Home Page: http://courses.nus.edu.sg/course/ellibst/lit-stya.html
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