
|
1907 A nude woman
becomes the rapturous icon of the technological and sexual revolutions in a
diabolic flaming red cabriolet built by Bil-aktie-Bol,
Car Company, Inc. Bil-Bol is a visionary image that
heralds the coming age of the automobile. By depicting a nude woman in a red
cabriolet––one who appears to have been rapturously abducted––dashing through
a night sky illuminated by stars, the design also looks forward to the
automobile becoming a quintessential icon of the technological and sexual
revolution in the global post-World War II community. Significantly, it would
seem that already in 1907, Gallen-Kallela realized
the commercial potential of fast cars and attractive women. The poster
utilizes feminine beauty as a decoy to attract the male buyers eye. The
poster is also one of the first commercial promotions in which the
Dollar-grin fender of a fast car is exposed to the public. Gallen-Kallela received the commission for the poster
directly from the owner of the Bill-aktie-Bolaget
(translating directly as Car Company Inc.), Mr. Yrjo
Weilin. Mr. Weilin took
the designer for a wild ride through the streets of Helsinki in a Bil-Bol, scaring the hell out of pedestrians and horses
alike. His drive in the red devils machine clearly served as an inspiration
for the poster he would create. The stylized flames and stars surrounding the
crimson vehicle echo Gallen-Kallelas Art Nouveau/Jugendstil visual language familiar from many of his
fin-de-siecle paintings and graphic works. At the
same time, Bil-Bol embraces a twentieth-century
commercial poster aesthetic by elevating the luxury item as a fulcrum of the
buyers’ desires. This poster was
featured in the recent Art Nouveau show in London and Washington D.C. Ghislaine Wood, assistant curator of the Art Nouveau
exhibit, gave this appreciation of the Gallen-Kallela
poster in the catalogue: Folk culture was often used as a vehicle to express
modernity: “The Kalevala folk story of the Snatching
of Kyllikki has been transformed: the sledge
becomes a red car and Lemminkainen, the hero, is a besuited motor-car fanatic. Bil-Bol
is perhaps one of the earliest advertisements overtly to endow a product with
a value that is symbolic, here the promise of sexual fulfillment; a value
that has been a mainstay of advertising in the twentieth century.” (Art
Nouveau, pp 19-160). |