A POETRY ANTHOLOGY
|
AN EPISTLE TO A PATRON My lord, hearing lately of your opulence in promises and your house Busy with parasites, of your hands full of favours, your statutes Admirable as music, and no fear of your arms not prospering, 1 have Considered how to serve you and breed from my talents These few secrets which 1 shall make plain To your intelligent glory. You should understand that 1 have plotted, Being in command of all the ordinary engines Of defence and offence, a hundred and fifteen buildings Less others less complete: complete, some are courts of serene stone, Some the civil structures of a war-like elegance as bridges, Sewers, aqueducts and citadels of brick, with which 1 declare the fact That your nature is to vanquish. For these 1 have acquired a knowledge Of the habits of numbers and of various tempers, and skill in setting Firm sets of pure bare members which will rise, hanging together Like an argument, with beams, ties and sistering pilasters: The lintels and windows with mouldings as round as a girl's chin; thresholds To libraries; halls that cannot be entered without a sensation as of myrrh By your vermilion officers, your sages and dancers. There will be chambers Like the recovery of a sick man, your closet waiting not Less suitably shadowed than the heart, and the coffers of a ceiling To reflect your diplomatic taciturnities. You may commission Hospitals, huge granaries that will smile to bear your filial plunders, And stables washed with a silver lime in whose middle tower seated In the slight acridity you may watch The copper thunder kept in the sulky flanks of your horse, a rolling field Of necks glad to be groomed, the strong crupper, the edged hoof And the long back, seductive and rebellious to saddles. And barracks, fortresses, in need of no vest save light, light That to me is breath, food and drink, 1 live by effects of light, I live To catch it, to break it, as an orator plays off Against each other and his theme his casual gems, and so with light, Twisted in strings, plucked, crossed or knotted or crumbled As it may be allowed to be by leaves, Or clanged back by lakes and rocks or otherwise beaten, Or else spilt and spread like a feast of honey, dripping Through delightful voids and creeping along long fractures, brimming Carved canals, bowls and lachrymatories with pearls: all this the work Of now advancing, now withdrawing faces, whose use I know. I know what slabs thus will be soaked to a thumb's depth by the sun And where to rob them, what colour stifles in your intact quarries. what Sand silted in your river-gorges will well mix with the dust of flint; I know What wood to cut by what moon in what weather Of your sea-winds, your hill-wind: therefore tyrant, let me learn Your high-ways, ways of sandstone, roads of the oakleaf, and your sea-ways. Send me to dig dry graves, exposing what you want: I must Attend your orgies and debates (let others apply for austerities), admit me To your witty table, stuff me with urban levities, feed me, bind me To a prudish luxury, free me thus, and with a workshop From my household consisting Of a pregnant wife, one female and one boy child and an elder bastard With other properties; these let me regard, let me neglect, and let What I begin be finished. Save me, noble sir, from the agony Of starved and privy explorations such as those 1 stumble From a hot bed to make, to follow lines to which the night-sky Holds only faint contingencies. These flights with no end but failure, And failure not to end them, these palliate or prevent. I wish for liberty, let me then be tied: and seeing too much I aspire to be constrained by your emblems of birth and triumph, And between the obligations of your future and the checks of actual state To flourish, adapt the stubs of an interminable descent, and place The crested key to confident vaults; with a placid flurry of petals, And bosom and lips, will stony functionaries support The persuasion, so beyond proof, of your power. I will record In peculiar scrolls your alien alliances, Fit an apartment for your eastern hostage, extol in basalt Your father, praise with white festoons the goddess your lady; And for your death which will be mine prepare An encasement as if of solid blood. And so let me Forget, let me remember, that this is stone, stick, metal, trash Which I will pile and hack, my hands will stain and bend (None better knowing how to gain from the slow pains of a marble Bruised, breathing strange climates). Being pressed as I am, being broken By wealth and poverty, torn between strength and weakness, take me, choose To relieve me, to receive of me and must you not agree As you have been to some-a great giver of banquets, of respite from swords, Who shook out figured cloths, who rained coin, A donor of laurel and of grapes, a font of profuse intoxicantsand so, To be so too for me? And none too soon, since the panting mind Rather than barren will be prostitute, and once I served a herd of merchants; but since I will be faithful And my virtue is such, though far from home let what is yours be mine, and this be a match As many have been proved, enduring exiles and blazed Not without issue in returning shows: your miserly freaks Your envies, racks and poisons not out of mind Although not told, since often borne-indeed how should it be That you employed them less than we? but now be flattered a little To indulge the extravagant gist of this communication, For my pride puts all in doubt and at present I have no patience, I have simply hope, and I submit me To your judgement which will be just.
|
F. T. Prince Collected Poems 1935-1992 (Manchester: Carcanet Press, 1993), pp.13-16.
|