EL1102 Lecture 7 (Part 1)

Social variation: register, genre and competence


The social aspect of language use
Speech is a form of social identity  -  used consciously or unconsciously, to indicate membership of different social groups or different speech communities.
1.Social variation and social varieties – varieties of language use defined according to class, education, occupation, age, sex, etc.
2.  Some models for analysing social variation
3.The notion of competence, performance and communicative competence
4.
4.  The notions of genre

Inter–Group /Speaker Variation
Historical variation  (Diachronic -  over time)
A.        Old English  (5th – 10th C)
            Middle English  (11th – 14th C)
            Modern English  (15th – present day)
                                             B. Ælfric (10th C.)
                                                       Chaucer (14th C.)        
                                                       Shakespeare (16/17th C)
                                                       Lawrence (20th C.)

Variation within a community sharing a single, more encompassing variety/ language
A community has VERBAL REPERTOIRES, made up of subvarieties which correlate with a number of social factors:
Ethnic languages / cultures
   -  in Britain  -   Irish English, Scottish English, Welsh English, . . .
   -  in America - Black Vernacular English, Texan English, . . .
   -  Singapore -   differences between Chinese and Tamil speakers of  English, e.g.
      1. Alex leh? Is he joining us for dinner?
                           (associated primarily with Chinese speakers)
      2. That boy cannot eat meat, this that all.
                           (associated primarily with Tamil speakers)
Age
         pictures   vs.  movies       wireless   vs.   radio
         chap vs. guy                     icebox      vs.  fridge
         expensive vs. pricey        fashionable vs. trendy
         splendid vs. brilliant        I suppose vs. I guess
         angry vs. mad                  mad vs. crazy
         younger generation: hip, cool, corky, fag, pig out
  
Occupation
disc jockeys  vs. waiters  vs. travel agents  vs. priests vs. politicians  vs. doctors  vs. newscasters  vs. fashion designers vs. lawyers, etc.
 
Social class
  Compare:
  3.  We didn’t see any people /  no people
  4.  In (H)artford, (H)ereford and (H)ampshire (h)urricanes (h)ardly  (h)appen
  5.  Cut  /   it   /   out   (the use of  glottal stop in place of  ‘t’)
  6.  Shootin(g),   fishin(g),  runnin(g),  walkin(g),  talkin(g)
  7.   Non-rhotic accent in New York
Education  (often associated with class)
  8.  He be late..
  9.  I don’t have no money.
 10. I don’t want nothing
Intra- Group / Speaker Variation
Much of intra-group/speaker variation is functional, i.e. it is VARIATION ACCORDING TO USE.
          There are no ‘single style’ speakers /users. Speakers command a complex range of  styles or REGISTERS ( [sub-] varieties according to use ) an move from one to the other for different functions / purposes. That is, there is a different communicative behaviour associated  with different functions / purposes, among other things.
 

Some very general examples:

 Speech Writing 
Hey, how about dinner?   We would very much like you to join us for dinner tonight.
Nothing doing!  No way! I can’t let you have this. I regret to inform you that  I will not be able to accede to your request.
 Informal Formal
A: What a car! So shiok! Shall we buy that one?

B: No, lah. Where got so much money ?

A: The car is a real beauty. Would you care to check it out one of these days?

B: I don't suppose we could afford to pay such a stupendous price for a car like that.

 

The difference here reflects the amount of attention paid to language by the user,  which depends on the context.

The different registers or sub-varieties are marked by differences in vocabulary, grammar, discourse conventions, prosodic features, paralinguistic features, etc.
Some Models for the treatment of Variation
  1.   Halliday’s Model :   Style and Register
 
What is being focused on
Where: Context of situation
FIELD The topic  (“what”) and the   purpose (“why”) of
communication
If Doctor – patient, medical
history, ailments, hospitalisation. If Teacher-pupil,  in a science lesson/ Physics lecture
MODE The means (“how”) of communication:  whether spoken or written, face-to-face, one-way or two-way, etc. If spoken, face-to-face or telephonic. If  written, personal or official or newspaper /   journalistic or  academic, etc.
TENOR The style (“to whom”) of communication – whether formal or informal, determined by the roles of the participants & their relationship with each other.
Doctor  -  patient  (F)
Teacher – student  (F)
Interviewer – interviewee  (F)
Mother -  child  (INF)
Friend – friend  (INF)
Style and Register    (cont’d)
There is a gradation of style of speech, from the very formal to the very informal. For example, compare 1 & 2,  or 3 & 4:
 11. “Excuse me, is the manager in his office? I have an appointment.”
       (Something that you may say to the secretary if you’re going for  
        a  job appointment.)
 12. “Hey is that lazy bum still in bed? I gotta see him about something
        you know.”
        (If you’re speaking to a friend about another friend)
 13.  The city has passed an ordinance that expressly prohibits the
        following while aboard public conveniences. Eating or Drinking.
       The Playing of Electronic Devices.
 14. “No eating or drinking here! And if you’re thinking of switching  on
        your radio, forget it.”
TASK :  Style and Register (cont’d)
  Style-shifting -  i.e. changing our style of speaking according to role- relation is a common phenomenon of everyday language use. We all have a variety of names or ‘titles’ which are used by different people, at different times, to get our attention. For instance,  imagine yourself in each of the social roles shown in the list on the left below, and consider which form (or forms) of address you would most likely use to the person whose various names are listed to the right:

1. A tailor calling up to say his new suit is ready

2. A good friend for a number of years

3. His young grandchild      

4. His drill sergeant in the army

5. His former elementary school teacher 

6. A store-detective who thinks he’s a shoplifter

7. His former Hollywood agent

Ron

Mr Reagan

Ronald

Gramps

Reagan

Ronnie baby

Hey, you

 

2.   Fishman’s  Model

“Who speaks what language to whom and when”
DOMAINS Certain spheres of activity
Institutionalised contexts/ Classes of “congruent” situations / major clusters of interaction situations
home, school, market /
shop, religion, office, recreation, etc.

 

ROLES Sets of mutual rights and obligations – determined
by socio-cultural norms &
expectations
Parent- child, sibling,
Teacher-student, Buyer-seller,  Employer- employee
FUNCTIONS
Diglossia – functional
allocation of use of two varieties of a language –
High  (H) and low  (L).
To inform, acquire,
buy, sell, reassure,
etc.

Situation
Setting
Scene
Physical, time and place
e.g. LT 15,  AS 6, NUS
Abstract, psychological setting,
involves cultural definition of
occasion. e.g. EL 1102 Lecture
Participants
Speaker / Addressor
Hearer / Addressee,
Audience
Whom the speech act is addressed to, & who it is uttered by. Often participants are allocated communication roles by their culture – e.g. ‘doctor – patient’,
‘teacher – student’, ‘interviewer-
Interviewee’, ‘therapist - client’.
Ends
Purposes – outcomes
Purposes- individual goals
Some speech events have conventional outcomes, e.g. a
diagnosis’, ‘a sale’ or ‘a verdict’
Act sequences
Message form
Message content
HOW it is said
WHAT is said
Key
Tone, manner or spirit in which the event is carried out
Informal, formal (style) perfunctory, relaxed, intense
Instrumentalities
Channel or mode of discourse
Forms of speech
Spoken, written, written but read aloud, recited, etc
The dialect, accent or other
variety of speech in which
the act is uttered.
Norms
Ns of interpretation
Ns of interaction
Expected interpretation.
Interpretation in relation to the conventions of conversation, turn-taking, etc
Genres Text types or  categories of texts
Poems, myths, stories,
sermons, lectures, editorials,
etc.
 

The patterned nature of variation

From the intra-speaker/group viewpoint – considerable variability of usage -  “societally patterned variation in talk” (Fishman)
-  based on correlations between linguistic resources (rules of grammar, vocabulary, etc.) and variable features of the social situation.
-  NOT idiosyncratic, random, haphazard
-  BUT systematic, conventionalized, patterned  -  RULES OF USE which govern linguistic performance  &  behaviour in actual social contexts.
-  not inattentive, makeshift, unmindful, anyhow;  involves SKILLED work based on knowledge and control of the rules.
-  Language as ACTION/PRAXIS : The use of language appropriate to the social context on the basis of these rules, whereby speakers conduct their individual and social lives in ways that make the most sense to them, by acting in and on their contexts.

 

The notion of Competence  (Chomsky,  1957)
Knowledge of Language = linguistic competence + linguistic performance
Linguistic Competence :   The rich body of INTUITIVE knowledge about language and its rules of grammar that speakers have naturally internalised  (ie made part of their mental structure) as they acquired it.
This involves:         
             
 A.  The ability to make judgements of grammaticality

15. a)  Revolutionary new ideas appear infrequently.

        b) *New appear infrequently ideas revolutionary.
      c)   Colourless green ideas sleep furiously.
B.  The ability to detect ambiguity and unravel ambiguity

16.   Visiting relatives can be difficult.

 Two possible meanings:
a) We have to visit relatives. This can be difficult.
 b)  Relatives visit  us. They can be difficult.
 

17.    Flying planes can be dangerous.

Two possible meanings:
 a) We fly planes. This activity can be dangerous.  
 b) Planes are flying. And they can be dangerous.
C.

C. The ability to see relations  (structural, semantic) among elements which are not overt

 18.  a)   Tom is easy to please.   (A pleases Tom)
        b)  Tom is eager to please.  (Tom pleases A)
a)  Someone wants to please Tom. This is easy to do.
 b) Tom wants to please someone. He is eager to do so.
Linguistic COMPETENCE and linguistic PERFORMANCE
 -  the actual USE of the rules in concrete situations; this differs from person to person, situation to situation, etc.
     Analogy of a symphony (score) or a play (script) and its performance  
 -  often regarded as “degenerate”  -  unpredictable, marked by errors, slips of tongue, changes of direction, memory lapses, etc. all making underlying rules of grammar difficult to perceive.
  -  BUT, it is not random, haphazard.  Is governed by RULES or PRINCIPLES OF USE.
The notion of Communicative Competence  (Hymes )
          To be competent in a language is to know its rules of grammar / Lexis AS WELL AS its rules of use.

TWO kinds of Competence: linguistic competence and communicative competence

                                         
Communicative Competence: The INTUITIVE knowledge and control of the rules / principles of USE. This knowledge is functional as opposed to linguistic competence, which is by and large formal.
         “a normal child acquires knowledge of sentences, not only as grammatical, but also as appropriate. He or she acquires competence as to when to speak, when not, and as to what to talk about, with whom, where, in what manner. In short, a child becomes able to accomplish a repertoire of speech acts, to take part in speech events, and to evaluate their accomplishment by others.”  
                                               (Dell Hymes,  On Communictive Competence)
The notion of genre
 --   Categories / types of texts, each with its own goals, purposes, methods, etc. e.g. poems, novels , plays, news reports, editorials, expository writing, service encounters, mother-child interaction, etc.
 --  Characterised by a relatively stable organisational structure in terms of  (i) thematic content, (ii) style, & (iii) compositional structure
 --  They represent specific activities or events carried out in specific social contexts and have very specific goals or purposes. 
      A combination of all these complex factors then determines the patterns of language use for each specific genre.
 --  The focus is on the functionality of language, which derives from the crucial two-way interaction between language and social contexts during its use in those contexts. i.e. they are shaped by and shape social contexts and social practices.
 --  Institutionalised:  typical patterns of language use associated with certain social institutions,  occupations,  professions,  fields of discipline,  i.e. they reflect the patterns of language use typical of particular communities /societies / cultures  -- reflecting in some ways the structure of society itself.
 
 --  This specific way in which language is used also constructs a view of the subject matter that ties on with these activities, goals, etc.
 
 -- Instruments, vehicles, devices that generate belief and value systems.  “Patterns of action” by which systems, ideas, beliefs, views of reality,  ideologies are transmitted,  maintained  and changed.
Some examples of genres
1. Mahathir: Why I shamed Anwar
Premier tells Newsweek how he had only two choices: either shame Anwar or let the country be humiliated for being led by a homosexual.
                             By BRENDAN PEREIRA  IN KUALA LUMPUR
 

HUMILIATE a friend or allow the whole country to be humiliated.

Prime Minister Datuk Seri Dr Mahathir Mohamad  said  that   left   with  only two choices, he decided to make public the abuse of  power and  alleged sexual misconduct of his former deputy, Anwar Ibrahim. 

                      

He conceded that Islam discouraged public  shaming  of   a  person,  but  he   
defended his action. "If  this country is led by a man who, later on, we discover is a  homosexual  and  all that,  it would bring  shame to  the  whole country," the 74- year old  leader  said  in  an interview with Newsweek.

He dismissed talk of a conspiracy to end the political career of  his heir apparent,  saying  that  the  baton of power was about to be handed over then. Instead, it was Anwar who had a hidden agenda. He built a cult of personality while in government, the Prime Minister charged.

2.    All’s well on the domestic front
Singapore
The outlook  for the bourse remains    mixed   as   positive local  factors   do  battle  with negative external factors.                             
                                                             .
On the one hand,  the   Singapore economy  and,  in particular, corporate results of  listed  companies  suggest that a recovery  is well under way.

                                                   

NatSteel – the island’s largest steel company - had double its first-half profit, and with less that  a week of the corporate reporting season left to go, Liang Court and ITE Electric are the only companies that have reported interim losses.

Some dealers expect the bourse to  trade  higher   this  week  with improvements in earnings of listed companies and a better economic outlook.

On the other hand,  the gush of positive   news   seemed   to  have been negated  largely  by developments outside Singapore.

 

GOLDLION 

The symbol of quality,   style  and elegance, Goldlion    is  committed   to  nothing   but   the highest     standard.     Leather     goods,      ties, shirts, accessories.. . . .  Only Goldlion can give you  such  a  variety  that  helps  you stand  out whenever and wherever you are.  Goldlion.  For the man of today.
 

4.            Vieri marks debut with hat-trick

There was no shortage of thrills at the San Siro where a delirious crowd saw Vieri erase all the bad memories of last season’s disastrous campaign.
     He opened the scoring in the 16th minute on the break, while his stand-in strike partner Ivan Zamorano hit the woodwork just minutes later

 

     Zamorano made way for Ronaldo at the start of the second half but it was Vieri who continued to find the target, scoring again in the 53rd and 65th minutes.
     Milan took the lead when Liberian veteran George Weah hit the post and then drilled home the rebound, but Lecce drew level five minutes later through defender Alberto Servino.
 

5.      Surprise Apple Cake

Ingredients
1 large tin Nestle Condensed Milk
Grated rind of  1 Lemon
3 Eggs
4 ozs. Cake Crumbs
2 tbl. sp. Melted Butter
2 tbl. sp. Lemon Juice
½  pint Apple Sauce or drained Stewed Apples
½  tsp. Cinnamon

 

Mix the butter and cinnamon with the cake crumbs. Spread a thick layer on the bottom of a greased sandwich tin. Beat the yokes well and add the Nestle’s Milk, lemon juice, rind, and apple sauce. Fold in the stiffly beaten whipped whites and pour into the sandwich tin. Cover with the rest of the crumbs and bake in a moderate oven for 50 Minutes. Serve hot or cold
 

Academic Genres

Each academic field has its own characteristic, specialized genres, each of which constructs choices through field, tenor and mode.
 -  command of academic subjects involves command of these specialised patterns of language use, these subject –specific genres.
 -  academic genres constitute empowering discourses

 

 -  they represent the abstract distant knowledge of specialist / expert

 -  they are not   ‘COMMONSENSE KNOWLEDGE” associated with

    “COMMON SPEECH”

 -  they claim “objectivity”, but embody particular views of reality of the subject and its concerns, which are predetermined by the interests of the groups involved.

 -  the need for CRITICAL AWARENESS of how exactly they work BEYOND THE MERE DECODING of what “is there”. And to INTERROGATE what we read, DECONSTRUCT  them, RESIST  them where necessary, RECONSTRUCT them to express our own meanings


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